The 48 camera rig configured for production: RAW capture, sequenced or simultaneous fire, and TIFF or ProRes delivery.
The physical footprint of the 48 camera arc, standing about 1.8 metres tall.
Production spec
Small arc, full pipeline
The same modular blocks as our biggest rigs, at a size that suits studios and locations with less floor. Every camera shoots RAW, fire can be simultaneous for a clean freeze or sequenced for motion through the slice, previews reach the director within a minute, and finals are hand aligned and graded. For bigger arcs, see the 96 and 120 camera rigs, or compare the rigs.
Proof
