Music and bullet time were made for each other. A frozen moment lands hardest on a beat, and since 2001 we have shot music videos, West End trailers and artist led brand films on our camera arrays. Not every job below is a straight music video, but every one of them lives in the music and entertainment world.
Music Videos
Frozen on the beat
For Skindred’s Sound the Siren we froze the band mid performance, cutting bullet time sweeps to the track. For Tinie Tempah’s Closer we went further and shot the video as 4D Gaussian splatting, so the camera moves were designed after the shoot rather than on the day.
Stage and Theatre
Capturing live performance
Theatre gives bullet time its best material: real performers, real costumes, real energy. We shot the West End trailer for Six the Musical and captured High Society at The Old Vic, freezing full cast moments no single camera could hold.
Artists and Brands
When brands book the talent
Brands regularly build campaigns around musicians, and bullet time gives those campaigns a centrepiece. We shot Lily Allen with House of Holland for Vype, turning a brand film into something people actually shared.
Why It Works
One take, every angle
A music shoot rarely gets a second chance at the perfect moment. Our arrays capture every angle of a single take at once, so the best beat of the best performance is always covered. Firing patterns are built per shot, so the sweep can hit whatever the edit needs.
