Gaussian, Photogrammetry and Volumetric
We provide high-end 3D and 4D capture for brands, agencies and productions that want full creative control in post.
From commercial campaigns to heritage installations, our system delivers broadcast-quality results without the need for a volumetric stage.
4D Gaussian Splatting
Moving Model – The Extra D In 4D From 3D, Is Time
Pros
- Production-quality camera moves from any angle
- Works with transparent surfaces
- Works with reflective surfaces
- Export 2D flight paths from any viewpoint moving or frozen
- Pause the movement and move around
- Baked in lighting from the shoot
- Broadcast-ready visual quality
Considerations
- 3D software integration still evolving
- Limited advanced relighting
- New and developing workflows
- Currently difficult to add to computer games
Description
4D Gaussian Splatting is a way of capturing a real performance as a 3D, time-based asset that you can move a virtual camera around in post. Instead of being locked to the angles shot on the day, you can choose framing, lensing and camera movement later, which reduces risk and gives more flexibility in the edit.
The capture holds fine detail such as hair and clothing movement, and it plays back efficiently enough to review quickly and integrate into VFX or virtual environments. For a production, the benefit is simple: you capture the performance once, then gain additional camera options, extended creative control in post, and a reusable digital asset without needing a full CG build.
Why It’s Different From Traditional Capture
Static 3D Model
- Faster processing compared to traditional volumetric pipelines
- No complex mesh reconstruction or heavy topology cleanup
- View-dependent rendering with natural lighting and detail
Unlike traditional volumetric capture, which relies on complex meshing, depth sensors and heavy post-production, 4D Gaussian Splatting captures real performances as dynamic 3D scenes using camera arrays. It avoids the slow and fragile reconstruction steps typical of older systems, producing viewable, high-detail results more efficiently. The outcome is not just a rendered clip, but a flexible 3D asset that can be repositioned, reused and integrated across film, advertising, games and immersive experiences.
Volumetric
A Moving Traditional Mesh Model
Pros
- Creates traditional proven poly mesh
- Can be rigged with an armature
- True moving 3D performance capture
- View from any angle
- Can be relit in post
- Proven production workflow
- Suitable for VFX, AR, XR and other immersive use
Considerations
- Wardrobe and hair can affect the final result
- May need retopologising to be used in computer games
- Struggles with semi and full transparent surfaces
- Struggles with reflective surfaces
Description
Traditional 4D volumetric capture records a live performance using a synchronised multi-camera array to produce a moving 3D mesh/model over time. The result is a realistic, fully animated digital version of the actor that can be viewed from any angle, integrated into virtual environments and relit to match new scenes or creative direction.
For production, this provides significant flexibility beyond standard video, allowing camera positions, lighting and environment to be refined in post while preserving natural movement and expression. It is a proven, production-ready approach that delivers dependable, high-quality digital performances for VFX, immersive content and virtual production workflows.
3D Photogrammetry
Static Traditional 3D Mesh
Pros
- You dont get before and after the shot, just the moment captured, unlike Volumetric and 4DGS
- High-quality human capture
- Works well for moving subjects
- Clean for traditional VFX pipelines
- Can be relit to match new scenes
Considerations
- Wardrobe and hair can affect the final result
- May need to be retopologised
- Struggles with semi and full transparent surfaces
- Struggles with reflective surfaces
Description
3D photogrammetry is a technique that uses a series of high-resolution photographs to reconstruct a detailed, true-to-scale 3D model of a person, object or environment. The result is a highly accurate digital asset with natural texture and surface detail, suitable for VFX, virtual production, product visualisation or archival work.
For production, this means you can capture real-world subjects quickly and convert them into usable 3D models without manual modelling, creating assets that can be placed into new scenes, reused across multiple projects and adapted for different outputs with consistency and realism.
Global Travel
We have worked in most countries globally, transporting our equipment, the needed staff to operate it including post production.. we deal with the paperwork, accommodation, everything to make it as simple as possible for you.
Contact us
If you would to talk to us and ask if it will work for you… for a same day quote, send us a message below.