CGI free bullet time at production quality: what the lens captures is what you get. It is why Zoolander 2, The Cube, SkyBet and Macallan all shot on our rigs, backed by a fleet of around 300 cameras and everything designed and built by us since 2001.
Built, not bought
Every wire soldered by us
The system was designed from the ground up: every wire soldered by hand, tech boxes and clamps made by our fabricators, custom truss, and wiring looms built to swap out in minutes if anything fails. A 96 camera rig goes up, fully aligned and live, in under 8 hours.
On set
Preview in a minute, delivery at full resolution
We shoot RAW plus JPG. A preview movie built from the JPGs is with the production team within a minute of the trigger, and the RAW files become the final graded movies: up to 5.7K delivered as uncompressed ProRes or TIFF sequences, with room to punch in digitally. The production team can change any camera setting from one desk, resync the whole array in seconds, and every image downloads automatically to the on-site server.
On-site previews are near perfect; final frames are then aligned by hand, literally frame by frame, and delivered a few days later. Full post production is available in-house.
Anywhere
One socket, no internet needed
A full 120 camera rig, including lighting, runs from a single 240V 13 amp household socket (16 amps is welcome but not required), and the system needs no internet connection at all. The middle of a desert works as well as a city centre studio.
The rigs
Two rigs, one brief
The Argus rig records continuous synchronised cine video with the moment chosen in post; the DSLR rig shoots 5.7K stills for print grade output and true long exposure. Compare them here.
Proof
