Working with Vodafone, Fuse and Director Nathan Gallagher, we created this 120 camera, 10 Meter diameter Bullet Time rig.
Each shot was taken with a 4 second exposure with a second curtain flash to capture Emma frozen after the long exposure.
The FEI (International Federation for Equestrian Sports) have launched their “Time To Beat” campaign which is to celebrate the human and equine athlete journey to the elite levels of the sport.
Working with Adidas, Beabadoobee and SlowThai we created a social media advert using Bullet Time.
Euro 2020 Bullet Time Advertising 120 cameras – with Jimmy Bullard, Jamie Carragher, Laura Woods, Jeff Sterling, Micah Richards, “THE EUROS IS ABOUT TO DROP”.
240 camera rig for Prada, featured in Vogue, Belle, GQ and others.
The Million Pound Cube game freeze brought back using our 120 camera bullet time rig and photogrammetry and volumetric system.
Milan fashion week for the Philipp Plein Spring Summer 2020 collection. All photographs and movies used on his website and social media.
SKY TV contacted NWD to recreate the legendary Matrix rooftop scene using our bullet time rig for TV show There’s Something About Movies.
Dyson have hired New World Designs for thier massive staff Christmas parties for the past 3 years using a full 360 degree bullet time.
Advert for “High Society” a play and musical starting a performance run in one of the worlds most prestigious theatres, The Old Vic.
New World Designs were asked by Manc Frank for a experiential bullet time photo booth at a party to end all partys which included Lily Allen.
NWD produced adverts including bullet time footage for Nokia. A total of 4 adverts were created for the company by NWD at Wimbledon Studios.
24 camera Experiential Bullet Time Rig, used for the IET Young Woman Engineer Of The Year Award 2018 event.
Read the England Cricket Teams advertising campaign case study where we used a 63 camera 120-degree bullet time rig with a 8 metre diameter.
Read the Microgaming experiential marketing case study where we used a huge 96 camera 360-degree bullet time rig at the gambling expo ICE London.
24 Camera Experiential rig for Ovos Christmas party with hundreds of workers captured throughout the evening.
At the Justice League movie premiere event in London we had our 24 camera experiential rig for all the VIP, influentials and cast to use and enjoy.
View Junk Kouture experiential case study where we used a 360 degree bullet time rig for the event at the 3 Arena in Dublin.
Using a 96 camera rig we captured Canterbury Clothings new range of sport clothing in a few atmospheric weather conditions.
Using 96 cameras in a full 360, we captured stunning pictures of cement dust as it fell and created breathtaking movies that were shown in the Barbican.
Using a 48 camera rig, we captured water balloons being shot with a rifle, freezing the shot to less than microseconds of time.
Using a small 12 camera rig, we created many social media sharable movies that were used on Budweisers Instagram and other social media pages.
For the Dr Strange premiere we created the full stand, and embedding a 48 camera rig into the structure, and transporting it to 4 venues across the UK.
72 cameras were used in Berlin for Amazon Prime: You Are Wanted promotions in Video, Billboard and all street promotional material.
This work started it’s life as a Commission from Dolby (working title ‘Attempting to Delay the Inevitable’)
which became an Multi-channel Video installation with full Dolby Atmos Surround Sound at Dolby HQ, San Francisco.
We created our part of this Toyota Advert using 72 cameras on a 180 degree rig, filming overnight in Shorditch London.
We created this Skindred – Sound the Siren music video using 96 cameras on a 360 degree 8 meter diameter rig.
Creating yet another advert for Pepsi Max, we used 96 cameras on a massive 60 feet diameter (18 meter) rig around some fo the worlds top freestyler footballers including Daniel Cutting.
Working through the night, we transformed the Oxford Street flagship store into Nike Air Max Day including a 48 bullet time experiential camera rig.
96 camera bullet time rig for Pepsi max, creating 72 movies, which were then put together as a time-lapse animated movie.
Creating a live experiential event on the south Bank of the river Thames with 48 cameras on a custom made rig and structure with some of the worlds top Freestylers including Daniel Cutting.
The Zoolander2 ending before the credits, was filmed using our 96 camera Bullet Time rig, filmed in Cinecittà Studios, Rome.
48 Camera custom rig, 10 weeks, a full bespoke structure, 9 Cities, thousands of miles, dedicated NWD brand ambassadors and tech staff.
New World Designs helped create a groundbreaking advert using bullet time, showing the Land Rover in all conditions in remote areas of UK.
We created a full experiential Bullet Time rig, and took it around Australian cities Sydney, Melbourne and Brisbane.
An 80 camera rig for Banesto Bank with Rafael Nadel in Spain, capturing him serving at over 100mph with our Bullet Time rig
Inspired by Sir Francis Bacon’s screaming popes. Using 15 cameras, a 1hr set up window, and a live projection on site, NWD created dozens of movies to show a digital modern version of the Screaming Popes.